Timn Fine Art And Design
Timn Jacobs
Painting · Pastel
Painting · Pastel
Timn F. Jacobs – “I am a very lucky man. I have a loving family, a good job, and the good fortune of knowing what I love to do…paint.”
Growing up on a farm in rural Wisconsin, Timn had a lot of time to roam the fields and woods of his property with his dog…There wasn’t much else to do. But spending that time with nature helped him capture the intrinsic beauty of natural settings. Formally trained as an architect, Timn is mostly self-taught in the fine arts. He has painted all of his life, although he took a short 19 year hiatus to attend to other matters. Timn paints in various mediums and styles, looking for different expressions of what he sees. Landscapes are his favorite subject. “I look at myself as a recovering architect, vowing never to draw a straight line again.” Most of Timn’s work is individual commissions. “I like to work with my client to create a finished piece. They pick a style, choose a subject or ‘feeling’ and then I create around those ideas. It is one of the residual design approaches from my architecture practice. I love my client to be part of the process.” Timn lives in Eagan, MN with his wife, and their ‘princess’ sheltie. He creates in his home studio, a gift of hard work from his parents and his wife.
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Siena
These images were created after I vacationed in Tuscany. The colors came alive just after dark. I decided to use soft pastels on suede board to create the mood.
siena 1
First in a series of 4 post dusk images of the Tuscany landscape
16×20 soft pastel. framed
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siena 2
Third in a series of post dusk images of the Tuscany landscape.
16×20 pastel on suede board, framed
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Siena 3
This famous farmhouse was captured just after dusk on a beautiful day.
16×20 pastel, framed
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Siena 4
Siena villa at post dusk.
24×30 pastel on suede board.
Framed
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Floral zest
I like to depict flowers and plants in different ways, utilizing their color and movement to create the art
Floral Fury Triptych
The chaos of a floral dash across 3 canvases causes the movement I wanted to capture.
This 3 panel unit (each 12×36) is meant to hang as one.
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Floral in Ruse
A burst of red against the green on a grey background. Floral in light and beauty
16×20 oil on canvas, framed.
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Nior of life 3
Third in a series of B&W florals, allowing for the movement of shapes to come alive without the distraction of color.
11×14 oil on masonite.
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nior of life 4
Creation of b&w florals allowing for the movement of shapes to emerge without the distraction of color
11×14 oil
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Water, Boats, and Lighthouses
Water has such power and man’s attempts to challenge it result in many forms of interaction, be it a structure or a boat.
a port of entry
This image is of Duluth harbor at dawn. 24×36” Oil painting.
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A split rock
This creation developed out of the energy of the lake and all its power, not the pose of the lighthouse.
24×36 oil, gallery wrap
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a storm of races
I wanted to create a foreboding sense of danger in this sail race with a black and white pastel on suede board.
16×20 pastel on suede board.
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light house at Gran Marias
This painting was created from a photo I took at night in Gran Marias, MN. Dark and murky and intriguing.
16×20 Oil
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Lighthouse at Versailles
This is a miniature lighthouse built for Marie Antoinette as part of a farm that was built to get her closer to her people.
24×36 acrylic on masonite, framed
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The Abstract
Almost always, my abstracts are simply a feeling I got by experiencing something in nature, and not wanting to recreate it in reality.
a study in light
This a an expression of a night sky with both shooting stars and the northern lights in abstract.
(please note: I have created two of these different yet the same. Both are for sale. the price is for each)
11×14 pastel and acrylic on suede board, framed
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Fire on the Prairie
I tried to capture the intensity of a night prairie fire against the fragile floral outcropping.
12×24 oil on masonite
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salsalito
This image was meant to capture the fog that rolls off the hills to the west of Salsalito.
11×14 oil on masonite
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the cross roads
Conflict, opportunity at every intersection
2- 12×12 acrylic on canvas on masonite (diptryph)
Price is for the pair.
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the wrath of grapes
…as a play on words to describe the intersection of grape and vine
12×18 pastel on suede board.
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Land Escapes
Landscapes are my muse. As I am also a musician; art and music intertwine most commonly for me in the environment.
a Prairie Fury
I spent many summers in the prairies surrounding my farm, often during windy storms. I loved the sounds and the waves.
20×20 oil on masonite
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a Prairie in Surprise
Once in a while the swirling winds of a prairie landscape and their simple trees creates a beautiful visual symphony.
16×20 pastel on suede board, framed.
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a River Runs Through it
The beauty and majesty of a river cutting its way through a forest created this scene.
24×36 oil on canvas, framed
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an Aqua Pond
This blue rarely appears in this type of landscape, but I felt it gave the setting a whimsical feel
16×20 pastel on suede board, framed.
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boggs of Warren
This painting represents the awesome scene of a cranberry bog in winter where I grew up.
16×20 oil on masonite
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el capitan
The most majestic of Yosemite
36×48 oil on masonite
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Fall Trail
It was a beautiful walk through a valley in the hills of Tennessee
16×20 pastel on suede board.
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Lavendar Lanes
The deep purples and landscape movement create the energy and mistique.
16×20 pastel on suede board, framed.
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the Artic Fall
I try here to capture the unique beauty of an Alaskan glacier prior to the onset of winter.
16×22 Pastel on masonite
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the Blue Birches
This scene was set utilizing intense colors rarely seen together in nature, yet beautiful when placed side by side.
12×24 soft pastel on suede board, framed
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The Fiord
Here the sky and water literally intertwined between 2 mountain ranges.
18×24 Oil, framed
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Man Made World
Man’s. creations sometimes can rival nature. These are 3 that touch me that way.
Peavey Plaza
I needed to do this piece in black and white because there were so many beautiful lines, both by man and by nature.
I hope the new plaza is as interesting
24×36 acrylic on masonite
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Roebling’s muse
I wanted this painting to look old. I used several media and applied all to canvas. The image is 11×14 plus matt and 16×20 frame.
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